Proudly made by an Australian family-owned and operated company, this brand has spent more than four decades designing, manufacturing, and importing personalised apparel for men, women, and children. For the past 14 years, they have specialised in creating a unique range of bamboo fibre clothing, supplying quality garments to stores across Australia. Their long-standing commitment to comfort, sustainability, and thoughtful design is reflected in every piece they produce.
GARMENT INFO
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Organically grown wild bamboo
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Loose fit
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Chest pocket
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Bamboo wood-look buttons
COMPOSITION
65% Bamboo Fiber 35% Cotton
Care and Use Instructions: cold machine wash with like colours. Do not bleach, soak or rub
Do not tumble dry. Warm iron, Do not dry clean
WHY BAMBOO?
• Naturally organic — grown without pesticides or fertilizers.
• Luxuriously soft — feels like silky cashmere against the skin.
• Sustainable — one of the fastest-growing plants; regenerates without replanting and yields far more per acre than cotton.
• Eco-friendly — absorbs 35% more carbon dioxide than trees and is fully biodegradable.
• Comfortable & anti-static — sits smoothly on the skin without clinging.
• Highly absorbent — absorbs up to 60% more moisture than cotton.
• Naturally antibacterial — stays fresh and odour-free for longer.
• Breathable — porous fibres allow excellent airflow and comfort.
• Thermo-regulating — warm in cool weather, cool in warm weather.
• Hypoallergenic — gentle and non-irritating, ideal for sensitive skin.
• UV protective — blocks up to 98% of harmful UV rays.
PAINTING STORY -
Artist: Nathania Nangala Granites
Warlukurlangu Jukurrpa (Fire country Dreaming)
This Dreaming belongs to Warlukurlangu country to the south-west of Yuendumu, for which Jampijinpa/Jangala men and Nampijinpa/Nangala women have custodial responsibility. An old man ‘lungkarda’ (centralian blue-tongued lizard [Tiliqua multifasciata]), of the Jampijinpa skin group, lived on a hill with his two Jangala sons. The old man would feign blindness and send the two boys hunting in search of meat. While they were gone he would hunt and eat anything that he caught before they returned. One day the sons returned with a kangaroo that they had caught after much tracking. Unfortunately the kangaroo was sacred to the ‘lungkarda’, unbeknown to the boys. In his anger the old man decided to punish his sons and the next time they went out, he put his fire stick to the ground and sent a huge bush fire after them which chased them for many miles, at times propelling them through the air. Although the boys beat out the flames, ‘lungkarda’s’ special magic kept the fire alive and it re-appeared out of his blue-tongued lizard hole. Exhausted the boys were finally overcome by the flames. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. Usually sites that are depicted in paintings of this Jukurrpa include Warlukurlangu (a men’s cave), Kirrkirrmanu (where the sacred kangaroo was killed), Wayililinypa (where the fire killed the two Jangala sons) and Marnimarnu (a water soakage) where the two Jangalas camped.
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