Introducing our new collection of umbrellas - step into a world where rain becomes a canvas for cultural expression with our stunning collection of umbrellas adorned with authentic Aboriginal designs.
With a sturdy frame and premium-quality materials, these umbrellas are built to last. Whether you're strolling through city streets or exploring the great outdoors, our umbrellas are both practical and beautiful, offering shelter with style.
Care: Always open and close your umbrella gently and avoid forcefully opening or closing it. After each use, make sure to thoroughly dry your umbrella before storing it. If needed, use a soft cloth or sponge dampened with mild soap and water to gently wipe the canopy. Avoid harsh chemicals or abrasive cleaning agents.
Measurements: Open - 64cm (height) x 106cm (diameter). Folded: 34cm (height) x 7cm (width) x 7cm (depth).
Material: 190T Pongee with UV coating.
Charmaine Pwerle
D.O.B: 1975
LANGUAGE GROUP: Alyawarre/Anmatyerre
COMMUNITY: Utopia, NT
Born into a lineage of remarkable talent, Charmaine Pwerle’s artistic journey has been enriched by the legacies of her grandmother, the celebrated late Minnie Pwerle, and her equally gifted mother, Barbara Weir. This powerful artistic lineage fuels Charmaine’s own creative expression, making her a notable figure among the promising younger generation of Indigenous artists. From an early age, she has been steeped in the cultural and artistic tapestry of her heritage.
Charmaine’s early works revealed impressive execution and a profound cultural expression. Her brushwork echoed the distinctive style of her grandmother Minnie Pwerle, yet carried the confident assurance of an artist beyond her years. Charmaine’s artistic acclaim has surged, capturing the attention of major institutions and prestigious art prizes. Her exhibition history, spanning both national and international venues, is growing exponentially. She is rapidly ascending to a position akin to her mother’s, as one of the most sought-after artists in the field.
Charmaine's artistic expressions are not just a visual experience; they are a bridge between generations, traditions, and the future of Indigenous art
